(Production team/rhythm section, 1975–present) Sly Dunbar (drums) and Robbie Shakespeare (bass) both worked for various reggae artists, including Lee ‘Scratch’ Perry, before coming together at Kingston’s Channel One Studio in the mid-1970s, where their innovative, but funky combination powered the new ‘rockers’ sound. They backed practically every Jamaican artist of note, from Peter Tosh to Gregory Isaacs, forming their own label Taxi. They toured with Black Uhuru and played sessions and/or ...
Ragga (short for ‘ragamuffin’) is the term for later-model dancehall reggae adopted by the sound system crowds to highlight their existence somewhere outside polite Jamaican society. Ragga is the all-digital style that came about in the mid-1980s, which took computerization to such a degree that, for the first time, reggae rhythms were made with no bass line. Ragga was a harsher, more jagged sound that positively revelled in its sounding anything ...
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An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...
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David Bowie
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