Soundtracks & Theatre

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This section encompasses styles that were, at least initially, designed to work in tandem with other forms of expression, deepening or enhancing their impact. The scores of musical theatre are woven into stories played out by the characters on stage. A film soundtrack is composed to interlock with the action on a cinema screen, while cabaret songs work in harmony with the theatrical components of a cabaret performance. Of course, the ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer
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Cabaret thrived on sensuality, wit and an intimacy between performer and audience. Its essence lies in intimate, escapist venues, where charismatic artists perform with ad-hoc backing from piano, brass and bass. Unlike the popularist music hall, cabaret was born from experimentation and a desire to explore the space between mass entertainment and the avant-garde. A French word that alluded to any business serving alcohol, ‘cabaret’ acquired its modern definition in 1881, ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer
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Originating as a device to mask the sound of a whirring projector, film music has become so much more than ‘music from the movies’. Before the advent of video and DVD, the soundtrack was the most accessible way to return to a favourite movie. It has since evolved into a multi-million dollar industry and one of the most thriving forms of modern classical music. A soundtrack provides the musical underscore to ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer
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From the eclectic musical melting pot of ragtime, Gilbert & Sullivan, early jazz, Viennese operetta, blackface minstrel shows and authentic Deep-South blues emerged the Broadway show tune. ‘Show’ and ‘tune’, of course, are the essential indicators of musical style. The music created for Broadway musicals – and, subsequently, for the musical form whatever its geographical origin – is conditioned by its theatrical and dramatic role within a show, as well as ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer
1412 Words Read More
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