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In the UK, hardcore split into two camps in the early 1990s. One half would lead to jungle, but within breakbeat hardcore, a faction of DJs and ravers felt that the music was getting too gloomy. Producers and DJs such as Slipmatt, Seduction, Vibes, Brisk and Dougal effectively led an exodus of white ravers away ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

As the 1990s began, dance music was really only subdivided into house or techno. However, another genre was forming alongside the explosion of big outdoor raves – hardcore, where extreme hedonism met a kind of underclass desperation. Hardcore has meant different things at different times. In the early 1990s, different parts of Europe had different words for ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

(Vocal/instrumental group, 1980–93, 1999, 2004–10, 2012–present) Led by vocalist Shaun Ryder, the band were at the forefront of the ‘Madchester’ scene. They appropriated licks from psychedelia, soul and hip hop to come up with a danceable brand of rock that reached its apotheosis on 1990’s Pills ‘n’ Thrills And Bellyaches, which included UK Top ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Dancing is as old as time, and its one constant is music that you can do it to. And while not all music is designed for dancing, some revolutionary dance music has been produced since records began. Some of it is intentionally disposable, but it is surprising just how much of the dance music made in the last ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

The very name, ‘Classical Era’, speaks for itself: it proclaims a period that is regarded as ‘Standard, first-class, of allowed excellence’, with manifestations that are ‘simple, harmonious, proportioned, finished’, to quote a dictionary definition. The period from 1750 to roughly 1820 is widely recognized as one of exceptional achievement in music – it is the ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Nashville’s Grand Ole Opry is the oldest continuously broadcast live music programme in the world. Since it hit the airways in 1926, it has served as a springboard for dozens of key artists’ rise to national fame. Its presence in Nashville was central to the growth of the city’s music industry. Opry Origins The Opry started almost by accident one ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

The Romantic period in opera, music, literature and art lasted more than a century overall, from around 1790 – the year after the French Revolution – to 1910, four years before the outbreak of the First World War. In this context, the meaning of ‘romantic’ went far beyond the usual amorous connotations: it stood for the ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

It was Louis Armstrong (or Leadbelly, depending on whom you believe) who came up with the famous final word on the definition of folk music: ‘It’s ALL folk music … I ain’t never heard no horse sing.…’ The quote has been repeated ad nauseam throughout the years, but it has not prevented strenuous debate about the meaning of ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Like so many of black America’s most enduring musical genres, hip hop was born out of invention. When, as the 1970s came to a close, a combination of disco and big record company involvement had diluted funk and soul to the extent that it had become boring to go out to a club on a Saturday night, something rumbled out of New ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Across the centuries and around the globe, many different forms of music have enjoyed mass appeal for a limited period of time. None, however, have been able to match the widespread influence of the popular music that erupted in America during the mid-1950s and, by the second half of the decade, was exerting its grip over ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Triumphantly premiered in Vienna’s Burgtheater on 26 December 1767, Alceste was the second of the three collaborations between Gluck and Calzabigi. Today it is probably more famous for the reforming manifesto of its preface than for its magnificent music. Like Orfeo, Alceste cultivates Gluck’s ideal of noble simplicity, with the whole opera based essentially on a single situation ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

‘Alceste, or the Triumph of Alcide’ Composed in 1674, Lully’s Alceste, ou le triomphe d’Alcide, a tragédie lyrique with a prologue and five acts, had a double link with ancient Greek culture. The libretto, by Philippe Quinault, was based on Alcestis, a tragedy by the ancient Greek dramatist Euripides that in turn derived ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

‘That’s Women for You’ While Don Giovanni was the nineteenth century’s favourite Mozart opera, Così fan tutte, premiered on 26 January 1790, was widely considered frivolous, immoral and (not least by Beethoven) an insult to women. Today we can see it as perhaps the most ambivalent and disturbing of Mozart’s three Da Ponte comedies. In the composer’s ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Donizetti’s three-act comic opera, Don Pasquale, full of fun and infectious humour, was first performed at the Théâtre Italien in Paris on 3 January 1843. There was no hint here of Donizetti’s failing health, but as time proved, Don Pasquale was among the last of his remarkable total of 67 operas. The first performance was a ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Eugene Onegin was written after the disaster of Tchaikovsky’s marriage in 1877, and was also influenced by his platonic relationship with his admirer and patron Nadezhda von Meck. Tchaikovsky began Eugene Onegin by writing the famous ‘letter scene’ from Act I, in which the heroine Tat’yana spends the night writing to Onegin, telling him of her love for ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie
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