(Vocals, actor, narrator, 1920–99) The last of the singing cowboys, Arizona-born Rex Allen made 19 movies for Republic before the genre ended with his The Phantom Stallion (1954). His powerful voice ensured several chart successes – the highest being ‘Crying In The Chapel’ (1953) – and a long career as a narrator for several Disney documentaries. The ...
(Trumpet, 1908–67) The son of bandleader Henry Allen Sr., Henry ‘Red’ Allen was one of the greatest trumpeters to come out of New Orleans, although he remained eternally in the shadow of Louis Armstrong. He moved to New York in 1927 to join King Oliver’s Dixie Syncopators and in 1929 the Victor label signed him as an answer ...
(Cornet, 1907–67) After honing a vocabulary of unorthodox trumpet techniques with Fletcher Henderson between 1926–33, Rex William Stewart switched to cornet and joined Duke Ellington. In an orchestra of distinctive voices, his was among the most unique. He played with a sharp, biting attack in the middle register. His tone had a slightly sour, almost sarcastic ...
(Piano, b. 1957) Raised in Detroit, pianist-composer Allen emerged in New York City with older midwestern avant-gardists such as Lester Bowie and Oliver Lake, and hometown colleagues including saxophonist Kenny Garrett. Her albums feature elusive but lyrical compositions for small ensembles. She toured briefly and recorded Feel The Fire (1993) with singer Betty Carter, and has worked ...
(Guitar, vocals, 1883–1945) Jules Verne Allen was significant among early singing cowboys in that he had actually been a working cowboy. After years of trail driving he became a professional cowboy singer in an era when such a thing scarcely existed. In addition to radio, he recorded 24 sides for Victor during 1928–29. In 1933–34, he led ...
(Vocals, 1924–2003) Rosalie Allen was one of a number of western stars who called New York home, for despite being seemingly removed from anything remotely western, the city boasted a thriving scene. Born Julie Bedra in Pennsylvania, Allen idolized Patsy Montana and became an adept yodeller. From 1943, she was a star on New York radio. ...
(Vocals, guitar, 1930–93) After three years of pioneering three-part ‘high-lead’ harmonies with The Osborne Brothers, Red Allen split with his Ohio pals, convinced he could be a bluegrass star in his own right. He and another Dayton friend, mandolinist Frank Wakefield, moved to Washington in 1960 and recorded with musicians such as Chubby Wise and ...
(Vocals, songwriter, 1912–58) Though he died in poverty and obscurity in a New Orleans charity hospital and is little remembered today, Griffin’s singing strongly influenced a number of major artists, including Ernest Tubb and Hank Williams. Born in Gadsden, Alabama, Alsie ‘Rex’ Griffin sang and yodelled in the style of Jimmie Rodgers. He recorded for ...
(Vocals, piano, songwriter, b. 1943) This Texas-raised musician, sculptor and playwright is an American original. His left-of-centre songs about the road and life’s characters have created a cult following via such albums as Juarez (1975), Lubbock (On Everything) (1979) and Human Remains (1995). ‘New Delhi Freight Train’ and ‘Amarillo Highway’ are his most covered songs. Styles & ...
b. 1944 English baritone Allen’s early career was spent with the Welsh National Opera, in works ranging from Mozart to Britten. He made his Covent Garden debut as Donald in Britten’s Billy Budd in 1971, and his Metropolitan Opera debut as Papageno (The Magic Flute) in 1981. He appeared at English National Opera as Busoni’s Faust in 1986 and ...
(Vocal/instrumental group, 1967–77) The first glam rock band evolved from acoustic duo Tyrannosaurus Rex, formed by Marc Bolan (guitar, vocals) and multi-instrumentalist Steve Peregrine-Took. Mickey Finn (bongos) replaced Took in 1969 as Bolan began to deploy electric instruments. Shortening the name to T. Rex heralded a chart breakthrough in October 1970 with the single ‘Ride A White Swan’. ...
(Vocals, b. 1985) Daughter of comedy actor Keith Allen, Lily has gone on to surpass her father’s success with two platinum-selling albums in the Noughties. Allen blends British pop with elements of ska and R&B. That, coupled with acerbic observational lyrics brought her to prominence with her 2006 debut Alright, Still and UK chart-topping single ‘Smile’. The ...
(Vocals, 1932–96) Young reigned as one of country music’s most popular figures, frequently topping the charts with honky-tonk anthems like ‘Live Fast, Love Hard, Die Young’ (1955), ‘I’ve Got Five Dollars And It’s Saturday Night’ (1956) and the Willie Nelson-penned ‘Hello Walls’. In the late 1960s and early 1970s, he also had success with mellow Nashville ...
The myths, legends and lore of the Wild West, for better or worse, have done much to shape the American character. They have given rise to the nation’s lingering infatuation with guns, outlaws, the rugged ethos of self-reliance, individualism and a world with simplistic definitions. These themes, usually portrayed in an earnest and nostalgic ...
The western music – be it jazzy, danceable western swing or spare cowboy songs – that thrived for more than two decades from the 1920s grew out of several strains of American folk tradition, chiefly balladry and fiddle-band music, each of which had over time developed its own regional flavours and stylistic quirks. The Development Of Cowboy Music ...
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