SEARCH RESULTS FOR: Pete Johnson
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(Piano, 1904–67) Born in Kansas City, Missouri, Kermit Holden Johnson teamed up with Big Joe Turner at the Sunset Café in the early 1930s and went to New York for the Spirituals To Swing concert in 1938. He recorded with Turner for Vocalion (the famous ‘Roll ’Em Pete’), as well as alone and with Albert Ammons and Meade ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Alternative-rock guitarist Peter Buck (b. 1956) was born in Berkeley, California. After dropping out of college, he moved to Athens, Georgia, where he met singer Michael Stipe while working in a record shop. The pair discovered that they had similar tastes in music: punk rock, Patti Smith and Television.  Together with Mike Mills (bass) and ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

Peter Tosh (1944–87), born Winston Hubert McIntosh, was the guitarist in the original Wailing Wailers. His mercurial temperament, provocative advocacy of the Rastafari movement and untimely death drew attention from his role in the most important band in the history of reggae. Tosh grew up in Kingston, Jamaica. His height (6ft 5in/2m) and temperament earned him the nickname ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

Defying categorization with his blend of rock, blues, country and melodic pop styles, Eric Johnson is highly revered by guitarists of all genres for his skill and perfectionism on stage and in the studio, and for his uniquely rich, overdriven tone. Born in 1954, Johnson grew up in Austin, Texas. Encouraged by his parents ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

A pioneering guitarist and the principal creative force behind The Who, Pete Townshend was born in Chiswick, London in 1941. The Townshends were a musical family – Pete’s grandfather was a musician, his father a dance-band saxophonist and his mother a singer. Consequently, a career in music seemed natural for Pete, and his parents encouraged him. ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Blues-rock guitarist Peter Green was born Peter Greenbaum in Bethnal Green, London in 1946. He began playing guitar at the age of 10. Among his early influences were Hank Marvin, Muddy Waters and B.B. King. After Green played bass in several semi-pro outfits, keyboardist Peter Bardens invited him to play lead in his band. Three months later ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Peter Frampton (b. 1950) rode a slow-developing wave of popularity that transported him from British teen idol to international pop megastar, only to see the wave crash in a show-business wipeout of legendary proportions. In the ensuing 30 years, Frampton has managed to mix a fair number of successes with disappointments while navigating much calmer musical seas. Frampton got ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

The hold that the legend of Robert Johnson (1911–38) exerts on the blues is out of all proportion to his career and output. He died relatively unknown at the age of 27 and recorded just 29 songs. But those songs of dreams and nightmares, crossroads and hellhounds revealed a darkness at the heart of Johnson’s blues, expressed with a ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Pa’-ter Kôr-nal’-yoos) 1824–74 German composer Although gifted as an actor, Cornelius studied music in Berlin and joined Liszt’s circle in Weimar (1852), alongside Bülow, Joachim and others. He was a vociferous literary champion of the ‘New German School’ of Liszt and Wagner, yet his own works are surprisingly un-Wagnerian. They include many attractive Lieder, to his own poetry ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Trumpet, 1889–1949) William Geary ‘Bunk’ Johnson, a New Orleans trumpeter with good reading and improvising skills, said that he played in Buddy Bolden’s pioneer band before 1900. He was certainly associated with Frankie Duson and other Bolden cohorts, and was famous as a showy, lyrical soloist. Johnson’s nickname rose from his loquacity, and he was ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, guitar, c. 1896–1956) Johnson was a highly influential early blues artist due to the impact of his three 1928 records for Victor, which earned him a niche as Mississippi’s first black recording star. Johnson recorded only three more 78s after that, for Paramount, plus a few unissued sides, but the songs he recorded for ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Alonzo ‘Lonnie’ Johnson will probably be forever classified as a ‘blues’ guitarist, and – at least in his later years – he seemed to accept the label, albeit somewhat gruffly. But in fact he was a consummate musician, deft enough to move between jazz, pop and blues stylings with ease, and inventive enough to imbue everything ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, guitar, c. 1902–47) Texas-born Willie Johnson, a purveyor of sacred material who would probably have been appalled at being categorized as a ‘blues’ artist, was blinded at the age of seven when his stepmother threw lye in his face after being beaten by his father. He sang in a hoarse, declamatory voice and his fretwork ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Piano, composer, 1894–1955) The seminal figure among the Harlem stride pianists, Johnson was a mentor to Fats Waller and composer of ‘The Charleston’, which launched a Jazz Age dance craze. Count Basie, Duke Ellington and Art Tatum were also directly influenced by Johnson’s skilful stride and compositions, including ‘You’ve Got To Be Modernistic’ – an evolutionary ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

While blues music has produced dozens of great, innovative musicians, vocalists and songwriters, the continuing influence of Robert Johnson over the years has shown that no other performer has succeeded in combining all the elements in quite the exceptional way that he did. The fascination that Johnson holds for so many people lies not only in his extraordinary ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel
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