SEARCH RESULTS FOR: Lonnie Donegan
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Anthony James Donegan was born in Glasgow, the son of a professional violinist, on 29 April 1931. The family moved to the east end of London when Tony, as he was then known, was two. He finally got the guitar he craved in his early teens. He attended his first jazz club soon after and was smitten ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Alonzo ‘Lonnie’ Johnson will probably be forever classified as a ‘blues’ guitarist, and – at least in his later years – he seemed to accept the label, albeit somewhat gruffly. But in fact he was a consummate musician, deft enough to move between jazz, pop and blues stylings with ease, and inventive enough to imbue everything ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Guitar, vocals, b. 1941) Mack’s 1964 debut album, The Wham Of That Memphis Man – chock-full of lightning-fast licks, vibrato-drenched lines and whammy-bar techniques on his Flying V guitar – captured the imagination of a young Stevie Ray Vaughan growing up in Dallas. Two decades later, Vaughan would produce Mack’s 1985 comeback album on Alligator Records ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

It was Louis Armstrong (or Leadbelly, depending on whom you believe) who came up with the famous final word on the definition of folk music: ‘It’s ALL folk music … I ain’t never heard no horse sing.…’ The quote has been repeated ad nauseam throughout the years, but it has not prevented strenuous debate about the meaning of ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

(Piano, singer-songwriter, b. 1928) Signed to Imperial Records, New Orleans-born Antoine Domino’s first million-seller, ‘The Fat Man’ (1949) began a run of over 60 US pop and R&B hits by 1964, many written by Domino with Dave Bartholomew. Other million-selling classics included ‘Ain’t That A Shame’ (1955), ‘Bo Weevil’, ‘I’m In Love Again’ and ‘Blueberry Hill ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Pigeonholed as the ‘quiet one’, misunderstood as an adopter of Eastern religion and music, and overshadowed (sometimes maligned) by his prolific, trail-blazing bandmates Lennon and McCartney, George Harrison (1943–2001) might have become a footnote in musical history. But as a member of The Beatles, Harrison made the words ‘lead guitar’ a household term and steadily developed as ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Highly respected blues guitarist Rory Gallagher was born in Ballyshannon, Ireland in 1948, and grew up in Cork. After learning his trade as a teenager playing in Irish show bands, Gallagher formed the power trio Taste in 1966. The band released two studio and two live albums. Shortly after their appearance at the 1970 Isle of Wight Festival ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Consisting of John Lennon (1940–80) on rhythm guitar, Paul McCartney (b. 18 June 1942) on bass, George Harrison (1943–2001) on lead guitar and Ringo Starr (b. Richard Starkey, 7 July 1940) on drums, The Beatles evolved from Lennon’s grammar school skiffle group The Quarry Men to become the most successful, acclaimed and influential act in the ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

During the mid-1950s, the American and British pop scenes experienced a complete shake-up of the old order. Up until the decade’s halfway point, the airwaves, record stores and jukeboxes were filled with sentimental ballads, novelty songs and instrumentals that largely reflected the tastes of white adults. American artists such as Frankie Laine, Frank Sinatra, Dean ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

As the 1960s approached, the controversy associated with rock’n’roll was superseded by an array of inoffensive smoothies on both sides of the atlantic. However, the ongoing popularity of artists such as Elvis Presley, Bobby Darin, Ricky Nelson, Sam Cooke, and, in the UK, Lonnie Donegan, Billy Fury and Cliff Richard, ensured ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

A cheap acoustic guitar, a washboard, some thimbles, a tea chest, a broom handle and a length of string, together with a modicum of musical talent – these were all that was required for skiffle, an amalgam of American jazz, blues and folk that caught on with Britain’s largely cash-strapped teenagers in 1956 and ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Mention of the folk revival is generally applied to the late-1950s and early 1960s, when a new generation of enthusiasts earnestly set about exploring the history of folk music and recreating its passionate, social ideals. There had been other folk revivals throughout history, but they tended to stem from the middle classes in search of a purer identity ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Spring Origins of The Quarry Men The skiffle craze that swept Britain in the mid-Fifties, spearheaded by Lonnie Donegan, was a defining influence on all four Beatles. They badgered their parents for cheap acoustic guitars and strummed clumsily along to songs like ‘Cumberland Gap’ and ‘Rock Island Line’. John Lennon, a rebel looking for a cause, was ...

Source: The Beatles Revealed, by Hugh Fielder

The 1950s was the decade when the straitjacket imposed by the recent world war was loosened a little – and rock took full advantage. The Sun studios in Memphis and Chess Records in Chicago were the places to be as the likes of Elvis, Jerry Lee Lewis and Chuck Berry turned the existing generation gap into a chasm. Though he ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

When the great Mississippi musician Riley King left the cotton fields to seek his fortune in Memphis in 1946, he had $2.50 in his pocket and a battered guitar in his hand. Today, his name is synonymous with blues music itself, yet his ascendance to the zenith of the blues world never altered his friendly, downhome ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel
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