SEARCH RESULTS FOR: Elvis Costello
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(Guitar, singer-songwriter, b. 1954) One of new wave’s most celebrated songwriters, Costello (born Declan Patrick MacManus) initially portrayed himself as an angry, revenge-obsessed young man before steadily maturing into a genre-straddling elder statesman. His cheeky appropriation of the name ‘Elvis’ was in tune with the iconoclastic mood of 1977, when his debut album My Aim Is ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Elvis Presley was the most important figure in popular music during the twentieth century. His influence was enormous, and remains so, nearly 30 years after his death. The recordings that he made during the first few years of his career inspired a whole generation and the initial impact of a country boy singing black R&B changed forever the strictly ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Elvis Aaron Presley was born in his family’s shot-gun shack in Tupelo, Mississippi, on 8 January 1935. His twin brother died at birth, and his mother doted on her sole son. He showed musical aptitude early, and loved to sing at the local First Assembly of God church. His mother, Gladys and father, Vernon, ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

During the mid-1960s, America’s military action in Vietnam was escalating out of control; students around the world were becoming more politically involved, civil rights and feminism were hot issues and the burgeoning youth movement was turning onto the effects of mind-bending drugs. Accordingly, certain strains of popular music melded attitude, experimentation and a social conscience, and ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

(Bass, vocals, b. 1951) Formerly the bassist in James Brown’s backing group the J.B.s of which his driving, rhythmic playing was a prominent feature, Collins joined George Clinton’s musical collective in 1972, supplying bass and songwriting for Funkadelic. An outrageous showman, he founded Bootsy’s Rubber Band, whose first three albums, Stretchin’ ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Buddy Holly was born Charles Hardin Holley in Lubbock, Texas, on 7 September 1936. Buddy got a guitar in his mid-teens and started practising with friend, Bob Montgomery. They liked country and western but also had predilection for the blues. An Elvis gig in Lubbock in early 1955 alerted them to new possibilities. Buddy and Bob, as ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocals, piano, b. 1964) From western Canada, Diana Krall attended Berklee School of Music, was encouraged to sing by Los Angeles-based pianist-singer Jimmy Rowles and was mentored by bassist Ray Brown. Her first trios, co-led by guitarist Russell Malone, emulated Nat ‘King’ Cole’s. Her accessible stylings led to international festival tours, bestselling recordings and ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Louisiana native James Burton (b. 1939) is one of several guitarists weaned on country music who parlayed his unique talent into session and tour work with rock musicians while maintaining his ties to the country community. Burton first achieved local fame as a backing musician on the popular ‘Louisiana Hayride’ radio show, which spotlighted a young Elvis and rivalled ‘The ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

In his 40-year career as an award-winning songwriter, guitarist and musician’s musician, Richard Thompson (b. 1949) has won fans for his work as an original member of Fairport Convention, as part of a duo with former wife Linda Thompson and as a solo artist. His songs have been recorded by Bonnie Raitt, Elvis Costello, Emmylou Harris ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Drums, singer-songwriter, b. 1945) Wyatt became drummer and vocalist with jazz-rockers Soft Machine. Forming Matching Mole in 1971, he overcame being wheelchair-bound after an accident to record solo classics such as Rock Bottom (1975), and had an unlikely hit single with The Monkees’ ‘I’m A Believer’. In 1983, he charted again with Elvis Costello’s ‘Shipbuilding’. 2003’s Cuckooland ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

The Byrds hired Gram Parsons (vocals, guitar, 1946–73) in 1968 because they needed a guitarist and pianist to fill the instrumental void left by the recent departure of David Crosby (vocals, guitar, b. 1941) and the earlier departure of Gene Clark (vocals, guitar, 1944–91). The remaining Byrds – Roger McGuinn (vocals, guitar, b. ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Punk exploded on to the stagnant British music scene in the mid-1970s with short, fast songs, played with maximum energy and often fuelled by angry lyrics. A musical and social phenomenon, punk was a reaction to the indulgence of glam rock bands, and the perceived elitism of the often highly musically proficient musicians who played in the ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

In our heads we can all imagine a noise called punk rock. It’s nasty, brutish and short. It’s played on cheap guitars at high speed. In fact it’s possibly played on cheap speed. The songs are basic to the point of wilful stupidity. If they have any message, it will probably be negative. The general effect will not be ...

Source: Punk: The Brutal Truth, by Hugh Fielder and Mike Gent

For many veterans of the punk era, new wave is not a genre at all. The term was coined by the music press to encompass acts who were influenced by punk, but less overtly rebellious and with more traditionally crafted pop skills. New wave acts traded largely on a back-to-basics desire to revive the short, sharp thrill of ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

A British phenomenon, pub rock was a reaction to the self-indulgence of the progressive rockers and the vain preening of the glam rockers. The pub rock bands drew from a variety of roots-music styles, such as blues, folk and country, with the folk influence dating back to the UK folk-rockers of the late-1960s such as Fairport Convention. ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer
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