SEARCH RESULTS FOR: Bryan Adams
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(Singer-songwriter, b. 1959) This Canadian singer-songwriter first found US success with his third album Cuts Like A Knife (1984). With material ranging from pleasing orthodox rock to lung-sucking ballads, the rest of the 1980s were fertile soil especially for rousing singles like ‘Summer Of ‘69’. Adams began the 1990s with the theme song from Robin Hood Prince Of Thieves ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Tenor saxophone, flute, 1940–92) A passionate voice on tenor sax in Charles Mingus’s last band (1973–76), Adams co-led one of the most dynamic quartets of the 1980s with pianist Don Pullen; it also featured Mingus drummer Dannie Richmond and bassist Cameron Brown. In a series of 12 recordings through the 1980s for the Soul Note and Timeless labels, ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Songwriters, 1940s–80s) Husband-and-wife songwriting team Boudleaux (1920–87) and Felice (1925–2003) Bryant composed many country classics, including ‘Bye Bye Love’ (popularized by The Everly Brothers), ‘Rocky Top’ (first popularized by The Osborne Brothers and covered by dozens of others) and ‘Let’s Think About Living’ (Bob Luman). Styles & Forms | Nashville & Beyond | Country Personalities | Johnny Cash | ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

b. 1947, American One of the most influential musical figures of his generation, John Adams draws on numerous genres, including jazz, ragtime, swing, pop and rock. Indeed, although he has often been labelled a minimalist, Adams is more expressive than many such composers; his mature works blend the rhythmic energy associated with this ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Composed: 1984–87 Premiered: 1987, Houston Libretto by Alice Goodman Act I On 21 February 1972, representatives of the Chinese armed forces are waiting at an airfield outside Beijing in order to greet President Richard Nixon on his arrival. The presidential Boeing, The Spirit of ’76, taxies to a halt. Nixon disembarks with his wife, Pat, ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

b. 1947 American composer Adams has played a significant role in introducing contemporary music to American audiences, working as adviser to a number of organizations, including the San Francisco Symphony Orchestra. Although his basic compositional style relies on minimalist processes, his music sets itself apart from the style in its ability to generate dramatic momentum and narrative tension. ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

One of the defining albums of the 1970s, Dark Side Of The Moon (1973) established Pink Floyd as the biggest progressive rock band of the decade. They have remained massively popular and their influence continues to be felt in rock and ambient music. The band were formed in London in 1965 by singer/guitarist Syd Barrett (born Roger Keith Barrett, ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Drums, singer-songwriter, b. 1945) Wyatt became drummer and vocalist with jazz-rockers Soft Machine. Forming Matching Mole in 1971, he overcame being wheelchair-bound after an accident to record solo classics such as Rock Bottom (1975), and had an unlikely hit single with The Monkees’ ‘I’m A Believer’. In 1983, he charted again with Elvis Costello’s ‘Shipbuilding’. 2003’s Cuckooland ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

One of the UK’s finest rock vocalists, Roderick David Stewart was born on 10 January 1945 to Scottish parents. He went to the same school as Ray and Dave Davies of The Kinks and briefly trained as an apprentice footballer before busking around Europe. Many Faces Back in London he started singing with The Hoochie Coochie Men in 1964 alongside ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

The Afro wig. The mirror ball. Platform heels. A pair of lurid flares. The enduring iconography of the mass-market disco era might seem laughable now, but to reduce such a revolutionary social force, and creative musical explosion to a few items of fashion tat would be very short-sighted indeed. As has happened with many other musical forms, the ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Contemporary music whose ancestry lies in the Western classical tradition finds itself in a curious position. Nothing illustrates this better than the fact that we are not entirely sure what to call it. The label ‘classical’ seems anachronistic, especially when applied to composers who have challenged some of the fundamental assumptions of the classical tradition. ‘Concert music’ is similarly problematic ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The most successful librettist of the modern era was W. H. Auden, who provided texts for Britten’s first opera, Paul Bunyan and, in collaboration with Chester Kallman, for operas by Stravinsky (The Rake’s Progress), Henze (Elegy for Young Lovers, 1961; The Bassarids, 1966), and for less acclaimed works by John Gardner (1917–2011) and Nicolas Nabokov ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The saxophone occupies an unusual position in that it is a bespoke instrument that has barely changed since its creation. Although it does not occupy the position in the orchestra its creator had envisaged, Adolphe Sax’s invention has played a central part in music ever since it burst on to the scene in the 1840s. Sax’s father, Charles, ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

The world’s first synthesizer was the American RCA Mk I, made in 1951, whose bulk occupied a laboratory. To play it, composers such as Babbitt had to tap in punched-tape instructions – there was no keyboard. In 1964, Robert Moog (1934–2005) developed the first commercially successful synthesizer. It was capable of generating a wide range of sounds ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

European culture lay in ruins after the end of World War II. There were many who, in company with the philosopher Theodor Adorno, felt that Nazi atrocities such as Auschwitz rendered art impossible, at least temporarily. Others, though, felt that humanity could only establish itself anew by rediscovering the potency of art, including opera. On ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie
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An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...

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