Electric & Electronic

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The development of electric and electronic musical instruments – as well as associated music-production systems – is one of the defining strands in the history of music over the last century. In fact, the advent of electric instruments predates even the twentieth century. Some of the instruments discussed here – such as the electric guitar – are commonly recognizable. Others, such as the Chapman Stick or the Mellotron, are less well ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins
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There are many different instrumental interfaces through which it is possible to control synthesized or sampled sounds – the most common being the piano-style keyboard. The electronic musician is also able to access a wide range of sounds through electric guitar, string, percussion and wind instruments. These devices are, to a large extent, quite recognizably conventional, and owe a great deal to the heritage of acoustic-instrument design. However, there is a ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins
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The Chapman Stick is a large instrument with a wide fretboard and eight, 10 or 12 strings. It is played by tapping (or ‘hammering-on’) a string at the desired fret with the finger and holding it down with the sustain of the note. Since only a single finger of one hand is needed to sound each note, the accomplished player can, using three or four fingers of both hands simultaneously, produce ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins
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The history of musical instruments has always been very closely linked to the history of music itself. New musical styles often come about because new instruments become available, or improvements to existing ones are made. Improvements to the design of the piano in the 1770s, for instance, led to its adoption by composers such as Wolfgang Amadeus Mozart (1756–91), who quickly developed a new, individual style of keyboard writing. On the ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins
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The clavinet is essentially an electric version of the clavichord. Designed in the 1960s by Ernst Zacharias of the German company, Hohner, the clavinet evolved from the Cembalet, an instrument Zacharias had developed some years earlier as an electronic counterpart to the harpsichord. Construction Hohner produced several models of clavinet over the years, including the legendary D6. Most models featured a five-octave keyboard. The sound came from strings struck by small, ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins
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Computer music can be defined as music that is generated by, or composed and produced by means of, a computer. The idea that computers might have a role to play in the production of music actually goes back a lot further than one might think. As early as 1843, Lady Ada Lovelace suggested in a published article that Babbage’s ‘Analytical Engine’ might even be used to compose complex music, if only ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins
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A drum machine is an instrument that uses synthesized or sampled sound to emulate drums or other percussion, and allows the user to programme rhythmic patterns that can be chained together into songs. Rhythm Machines The history of the drum machine dates back as far as the 1930s, when Leon Theremin (1896–1993) was commissioned by composer Henry Cowell (1897–1965) to produce the hugely complicated Rhythmicon rhythm machine. The rhythm machines of the ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins
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The electric bass is similar in both appearance and operation to the electric guitar, but is actually a descendent of the upright acoustic double bass. The double bass had long been an integral part of the jazz rhythm section, but the increasing need to compete with amplified instruments – not to mention the transportation problems caused by its sheer bulk – made players and manufacturers seek amplified alternatives. Electric Bass Fiddle The earliest-known ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins
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An electric guitar usually has a solid wooden body with no acoustic resonance. All the sound is created by the vibration of strings being translated into electrical signals by pickups and then amplified. History The modern electric guitar has its origins in the Hawaiian or steel guitar, particularly popular in the 1920s and 1930s. These instruments were the first examples of guitars that depended on electrical amplification rather than the properties ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins
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The piano has occupied a special place in music and, since the advent of amplification, musicians have sought ways in which its expressive, versatile sound could be made louder in order to carry above the sound of other amplified instruments and also how it could be packaged into an instrument more easily transportable than the traditional acoustic piano. Electric pianos fall into three categories. electro-acoustic pianos These instruments simply amplify the sound ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins
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The electric steel guitar (also known as ‘Hawaiian guitar’ or simply ‘steel guitar’) is a solid-body, steel-strung instrument that relies on pickups and amplification to produce its sound. It has its origins in the Hawaiian music of the late-nineteenth century and is similar in sound and playing technique to resonator guitars such as the Dobro or National. Playing Technique The steel guitar has two main variants – the lap steel guitar and ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins
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Like the guitar with its electric counterparts, other members of the stringed-instrument family have taken advantage of the opportunities offered by electronic technology – namely amplification and access to a broader palette of synthesized (or sampled) sound. Electric Stringed Instruments Stringed instruments, such as the violin, viola, cello and double bass, can all be effectively amplified through the use of built-in microphones or, more commonly, electronic pickups. Pickups are either magnetic – ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins
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Broadly speaking, guitars can be divided into two categories – acoustic and electric. The term ‘electric guitar’ tends to be reserved for solid-body instruments. Acoustic guitars use the resonating properties of a hollow body and sound holes to produce and project their sound. Electro-Acoustic Guitars The development of amplified music, played in increasingly larger venues, presented a challenge to the acoustic-guitar player. Though it is possible to amplify an acoustic guitar simply ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins
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The drum is perhaps the oldest instrument known to man. Drummers have always sought increasingly sophisticated ways of refining their art and gaining access to as broad a palette of sounds as possible and, in many instances, have embraced the electronic revolution as enthusiastically as their keyboard-playing counterparts. Early Electronic Drums Early electronic drum systems included the Electro-Harmonix Space Drum and the Pearl Syncussion of 1979, a two-channel synthesizer that could be ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins
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The term ‘guitar synthesizer’ refers to a system consisting of a guitar controller interfaced to a synthesizer sound-module. Such instruments afford the guitar player access to not only synthesized (or sampled) emulations of guitar sounds but also to a vast array of electronic tones and instrumental simulations. In this way, the guitarist can bring techniques, such as string bending, to the playing of synthesized sound, adding a new level of musically ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins
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